Disgrace

Last week, silkscreen showed Disgrace, the film of the J M Coetzee novel. We read this in our book group a few years ago - I can't find any mention of it on this blog. A study of shame, forgiveness and the new South Africa. It's very true to the novel (as far as I can remember!) as it confronts a nation in a state of change. Watching the film will probably lead - for me - to a re-read of the book!

The Hunt

It's a little time since I saw Vinterberg's The Hunt at Silkscreen and Christmas eve would seem to be a good point to comment (in as far as I can still remember) - one of the film's big scenes (more than one) takes place on Christmas eve. I saw it twice - I was projecting the later showing so I went to the early so that I could give it my full attention. A powerful of suspicion and the hunting of an unjustly accused man - I doubt think the film ever leaves you in any doubt as to the innocence of the principal character. But it's also a film about forgiveness but how even with that, the marks are still there. Wonderful acting by Mads Mikkelsen and his young accuser Annika Wedderkopp - some of the audience were talking as they headed out as to how depressing it was, maybe the scenes of suspicion , but the end was, for me, far different.

A Prophet

We saw Jacques Audiard's A Prophet at the SilkScreen on Wednesday. I was prepared not to like it, billed as violent..., but I really enjoyed it (if that's the right word!). Summoning up the claustrophobia of prison from the start it tells of vulnerable young man 'graduating' from a juvenile offenders to an adult prison and his struggle for safety and an education. Yes there's pretty up-front violence but what I will remember are the silences, the points where the sound track virtually disappeared, the moments when you see through Malik's eyes.

And then there's the playing out to Mack the Knife, maybe open ended but, to my mind the intent is clear. Recommended!

Still Walking (Aruitemo aruitemo)

The Silkscreen showed Hirokazu Koreeda's film Still Walking last night, here's a clip:

A very gentle film, no great drama but the undercurrents of what isn't said in family relationships are always there. It tells of a family reunion to mark the anniversary of the death of the sons, the individuals have changed aged since then and the extent to which they are willing to recognise that, is the plot. There's the trailer on youtube too but I liked these two scenes!

Le Serpent

Last night, in very cold weather, we paid a visit to the first showing in 2010 from Macclesfield's Silk Screen - Barbier's Le Serpent

  Comme Au Cinema

That's the French trailer - you may find it disturbing - so beware! A pretty violent film which pays a rather over the top homage to Hitchcock's Psycho. I didn't want to like it but I was drawn in, it has its moments of humour early on but most of it is hard hitting. Trying to ignore a few gaping plot holes I though this was worth the watch if only for the brooding presence of the filming and sets.

El Orfanato

A trip last night to the Silk Screen in Macclesfield to see Juan Antonio Bayona's El Orfanato (The Orphanage). A Spanish gothic horror which draws one into a world where children are simultaneously innocent and unknown. I found myself thinking of James' Turn of the Screw. There was a lot of involuntary audience participation last night! Wonderfully acted by Belén Rueda in the main role. Here's the trailer - in Spanish, I'm afraid I couldn't find a version with sub-titles and I really didn't want the dubbed version!

L'heure d'été

Just back from Olivier Assayas' L'heure d'été:

Tinged with a very French sentimentality with heart-breaking moments an interesting study of what use is art if it isn't experienced and part of everyday life. I even enjoyed the seeming vandalism of the film by the young people in the last scenes. I loved it but I think I was one of the few at the screening - or maybe I sat in the wrong part of the theatre?

The Return

At the Silk Screen on Wednesday we saw Zvyagintsev's 'The Return' a tale of the arrival, out of the blue, of a husband and father after 12 years absence. You never find out why he was away and the story follows a trip as he takes his sons to the sea in Northern Siberia. Lots of things are unexplained and the viewer ends up almost as puzzled as the teenage children. The Observer review is here, one review commented on the resemblance to Alfonso Cuarón's Y tu mamá también - a long secretive road trip to a beach -I picked up on that but, for me, the larger similarity was to Io non ho paura (and here's that film's wikipedia page), its fascination with nature, great skyscapes especially clouds and the wind in the trees, not to mention children on an edge of adult events they just didn't understand. I was put off by one of the committee's quick summary, a week before the showing, the reality was very worth while! Here's the trailer: